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| Issue |
Title |
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| No 5 (2010) |
"And then I wrote queerly ever after...": A Performance |
Creator's Statement
"And then I wrote queerly ever after. . ."
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Madhu Narayan |
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| No 5 (2010) |
Up in the Air: The Case Against Happy Endings |
Creator's Statement
Up in the Air: The Case Against Happy Endings
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Michelle Yvonne Burke |
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| No 6 (2011): Family Rhetoric |
A Name on the Tree |
Creator's Statement
A Name on the Tree
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Laura J. Davies |
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| No 1 (2008) |
A Provocation: Queer is Not a Substitute for Gay/Lesbian |
Creator's Statement
A Provocation: Queer is Not a Substitute for Gay/Lesbian
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Aneil Rallin |
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| No 1 (2008) |
“phonesex : a digital collage” and “dis|orientation : a straight closet” |
Creator's Statement
“phonesex : a digital collage” and “dis|orientation : a straight closet”
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Jonathan Alexander |
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| No 1 (2008) |
Beijing's 2008 Olympic Games |
Details
Beijing's 2008 Olympic Games
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|
Harlot Editors |
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| No 4 (2010): Rhetoric at Work |
Bits and Pieces |
Creator's Statement
Bits and Pieces: A Sculptor's Reflection on Meaning
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Christina West |
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| No 1 (2008) |
Caroling Commercialism: The Rhetorical Power of Christmas Music |
Creator's Statement
Caroling Commercialism: The Rhetorical Power of Christmas Music
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Daniel Wharton |
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| No 5 (2010) |
Clothes Make the Lesbian |
Creator's Statement
Clothes Make the Lesbian
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Carrie Kosicki |
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| No 2 (2009) |
Comic Fans and Convergence Culture: Community of Readers in The Master of Kung Fu |
Creator's Statement
Comic Fans and Convergence Culture: Community of Readers in The Master of Kung Fu
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David Edward Beard, Kate Vo Thi-Beard |
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| No 5 (2010) |
Editors' Letter |
Details
Issue 5 is Alive!
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Harlot Editors |
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| No 3 (2009) |
Frank Donoghue on The Last Professors |
Creator's Statement
Frank Donoghue on The Last Professors
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Frank Donoghue |
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| No 3 (2009) |
From "Thank You for Your Support" |
Creator's Statement
From "Thank You for Your Support"
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Brian Russell Hauser |
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| No 3 (2009) |
Harlot of the Hearts |
Creator's Statement
Harlot of the Hearts
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Kaitlin Dyer |
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| No 6 (2011): Family Rhetoric |
Harlot Runs in the Family |
Details
Harlot Runs in the Family
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Paul Muhlhauser, Kelly Bradbury |
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| No 4 (2010): Rhetoric at Work |
Harlot Works It. |
Details
Harlot Works It.
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Harlot Editors |
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| No 3 (2009) |
Harlot's House |
Details
Harlot's House
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|
Harlot Editors |
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| No 2 (2009) |
Harlot's Progress |
Details
Harlot's Progress
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Harlot Editors |
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| No 4 (2010): Rhetoric at Work |
How Genders Work: Producing the J.CREW Catalog |
Creator's Statement
How Genders Work: Producing the J.CREW Catalog
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Paul Muhlhauser, Kelly Bradbury |
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| No 2 (2009) |
I, Barack Hussein Obama: Virtual Crowds and Participatory Politics in the 2009 Inauguration |
Creator's Statement
I, Barack Hussein Obama: Virtual Crowds and Participatory Politics in the 2009 Inauguration
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Elizabeth Losh |
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| No 4 (2010): Rhetoric at Work |
I’m Not Really a Chaplain; I Just Play One to Pay The Bills |
Creator's Statement
I’m Not Really a Chaplain; I Just Play One to Pay The Bills
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Jodi Kushins |
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| No 5 (2010) |
Imag{in}ing Nostalgia |
Creator's Statement
Imag{in}ing Nostalgia
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Mary E. Lord |
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| No 6 (2011): Family Rhetoric |
In Defense of the Unmother: Rhetoric, Motherhood, and Social Networking |
Creator's Statement
In Defense of the Unmother: Rhetoric, Motherhood, and Social Networking
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Rebecca Ingalls |
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| No 5 (2010) |
Legends at Work, Post-Katrina |
Creator's Statement
Legends at Work, Post-Katrina
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Kate Parker |
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| No 6 (2011): Family Rhetoric |
Mothers and Teen Daughters: Make Room for the Internet |
Creator's Statement
Moms and Teen Daughters: Make Room for the Internet
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Jaqueline McLeod Rogers |
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